The first in the series of 'Sketchbook Comix', An autobiographical comic which follows my search to fit into a new country after moving to Canada in 2008. With guest artwork by Chris Downes.
ebook version coming soon
Comments
Thanks for reading...
Comments are always welcome. To subscribe via RSS, click here or sign up for my new publications' newsletter.
Also known as zipatone, Ben-Day dots, halftones etc For this tutorial a basic knowledge of Photoshop, colour modes, resolution, history and layers pallete, copy and paste functions will help. It is often desirable to achieve screen tones for artwork for either practicality or for effect. What ever you need it for I am going to show you the most effective way to achieve this using Photoshop. If you can master this, then there is no need to track down real zipatone and fiddle around with cutting it up. The middle section on ‘creating dot patterns’ is fixed although how you create your grey areas and how you use the dot pattern is up to you. Firstly this tutorial has nothing to do with the halftone pattern in the Filter menu. In my mind this filter gives a poor, hard to control, and fuzzy result. Which is not suitable when you need real screen tones for something like screen printing. Creating greys First open the artwork you want to add screen tones to; Be sure that this a...
Ever since I picked up the iPad app Procreate, I have discovered a new joy in making comic pages. It was tricky at first, however I have now drawn over 100 pages of comics and settled on a good layout system.
I recently saw a thread on social media about advice for beginners wanting to make comics. Of course the best advice is just jump right in. Want to be a writer, write. Want to be an artist, makes things. While this is the best advice it might also be frustrating for true beginners that don't know what that looks like. It can be easy when you've adept at something to forget what it is like not to know it. This is known as the curse of knowledge, that is once you know something, it's almost impossible to imagine not knowing it. On that note here are ten non-comprehensive steps for beginners to dip their toes in. These are ten practical things to start 'just making comics'. At the end are a few philisophical tips to help you practice and avoid some beginner traps. Practice Read a lot of comics , think about what you like about them, why do they work? Analyse every aspect of them. This can either be detailed notes or just vi...
Lately, I've been experimenting with making comics quickly to share on Instagram. And when I find myself doing something on repeat, I like having ready-made templates to remove some of the friction of getting started when you have all the right layers and guides already set up.
After learning of Joe Matt’s passing last year I was in shock. All those years ago when I started making comics I came across Joe’s work and it changed how I saw comics and what I wanted to do with my work. A few years later I came across David Collier’s work which had a similar and subsequent effect on my work. But now that Joe Matt was gone, it felt like a big part of my artistic dream was gone. It sounds dramatic and perhaps a touch silly, but that was my immediate reaction. Before I heard the news, I had already been intimately studying Joe work for the umpteenth time. I’d been exploring lettering and art sizes, trying to find the perfect one for both. I loved Joe’s comics and so I got out my ruler and measured his panels, lettering sizes, brush work. Copying and redrawing pages. One thing that struck me is the deceptive simplicity of his work. There was nuance and subtlety in his line work that wasn’t immediately obvious unless you tried to copy it. I knew the be...
Comments
Post a Comment